I treated myself to a gallery opening tonight, which is something that I haven’t done in quite some time. The pieces were interesting and artsy, as one would imagine. I was reminded of how even a tiny canvass can be made to feel big depending on its content and emphasis. Operating in such a small space requires a crispness and deliberateness that is purposeful and delivers; with little room for waste, error or extravagance. I soon grew tired of my lesson though and the heat, so I stepped outside where I discovered another gallery next door. I was not moved even upon entry, but I thought that I would pay my respects in exchange for a cup of wine and a few bartered smiles. Nevertheless, I was soon struck by an unnamed piece that I will also include here via photo. This, my favorite piece was not included on the artist’s website, but is in the style of the Empathy series and Dream II.
The piece was also deliberate in particular sections and overall proportions, though some aspects of it seemed quite random and free. There were subtle parts along with boldness, white streaks that screamed in a way that is the opposite of what white would be expected to do. Body parts, feet, nails, tongues, boots, hind quarters all made to work together in a concert of motion that is difficult to escape – not that you would want to. On top of his talent, he seemed like a decent guy.
INENARRABLE 